A Tasteful Journey, The Ron Klein Breteler Collection
Live Webcast Auction
Location:
| Image | Lot # | Name / Description |
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#1 |
Woody van Amen (1936)Woody van Amen (1936) Taxania I, II and III' all signed and dated 2007 (lower right) and signed and dated (on the backing) series of 3 watercolours, each 25x35,8 cm Provenance: Acquired directly from the artist, Rotterdam 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. In fifty years, Woody van Amen managed to establish a sensational career with his paintings, sculptures, installations and films. Van Amen received his breakthrough as front man of the Dutch Pop-Art, working in a style that would combine consumer icons and popular visual culture. During his residence in the United States, Van Amen met Pop-Art pioneers like Andy Warhol. His later work shows influences from his travels in Asia, in which he manages to bring together his interest in low culture and spirituality. In 1972 Van Amen published the manifest ‘Nieuwe Romantiek’, in which he turned against existing dogmas that influenced the content of art. Characteristics like the Swiss mountain Matterhorn and the self-invented form Taxat became recurring elements within his work. The coalescence of the expression of image and language, and the huge stratification cannot be summarized in simple words. Recognizable elements and attractive colours evoke feelings of recognition, but also confronts the viewer with the question how the image is related to its meaning. (Source: Artists’ gallery website)Schatting: 600 - 800 |
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#2 |
Woody van Amen (1936)Woody van Amen (1936) Untitled (1981) signed and dated in pencil (lower right) lithograph printed in colours, numbered 13/50, 56x75 cm Provenance: Acquired directly from the artist, Rotterdam 1995.Schatting: 300 - 500 |
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#3 |
Woody van Amen (1936)Woody van Amen (1936) Shan' (2013) neon light and engraved acrylic glass on plastic base, height: 36 cm Provenance: Galerie Ron Mandos, Amsterdam, acquired in 2013. Literature: Noor Mertens, Woody van Amen & Hidde van Schie. New Romantic Spirit’, exhib. cat., TENT Rotterdam, 5 februari - 19 april 2015, illus. in colour.Schatting: 800 - 1200 |
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#4 |
Woody van Amen (1936)Woody van Amen (1936) Untitled, signed and dated 2010 (underneath) glazed porcelain, numbered 2/5, 40x20x18 cm Provenance: Acquired directly from the artist, Rotterdam 2011.Schatting: 1500 - 2000 |
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#5 |
Armando (1929)Armando (1929) Der Zaun' (1995) Portfolio with 7 drypoints on Hahnemühle, each print signed and dated 1995, numbered 9/10 on the colophon, 51x65 cm, in original cassette designed by Pan Groenendijk, Amsterdam. Printed by Noa Swaanswijk, Amsterdam. Provenance: Galerie Liesbeth Lips, Rotterdam, acquired in 1996.Schatting: 700 - 1000 |
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#6 |
Armando (1929)Armando (1929) Damals signed, titled and dated 8-11-01 (on the reverse) oil on canvas, 100x80 cm Provenance: Art Affairs, Amsterdam, acquired in 2002. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 6000 - 8000 |
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#7 |
Bernard Aubertin (1934-2015)Bernard Aubertin (1934-2015) Tableau Clous signed and dated 1969 twice (on the reverse) painted nails on plywood, 30x30x4 cm Provenance: Galerie De Rijk, The Hague (gallery label on the reverse), acquired in 2012.Schatting: 3000 - 5000 |
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#8 |
Linda Arts (1971)Linda Arts (1971) 'Nr. 209' (2009) signed and titled (on the reverse) oil on wood panel, 60x60 cm Provenance: Hebel 121, Basel, acquired in 2010.Schatting: 300 - 500 |
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#9 |
Klaus Baumgärtner (1948 - 2013)Klaus Baumgärtner (1948 - 2013) Untitled signed and dated 2006 (lower centre) collage on paper, 55x45 cm Provenance: Galerie Ramakers, The Hague, acquired in 2006.Schatting: 300 - 500 |
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#10 |
Charl van Ark (1951)Charl van Ark (1951) Musée du Congo VIII (2000) signed, stamped '7464' and dated 1999 (on the overlap) oil on canvas, 30x40 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#11 |
David Bade (1970)David Bade (1970) Untitled signed and dated 2000 (lower right) oil stick on paper, 155x130 cm Provenance: Stichting Plus-Min, Renesse, acquired in 2000. Exhibited: GEM, Museum for Contemporary Art, The Hague, 'David Bade - Catch of the day', 20.3-27.6.2010.Schatting: 400 - 600 |
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#12 |
Joachim Bandau (1936)Joachim Bandau (1936) Fenster 51F signed and dated 1997 (lower centre) and titled (lower left) watercolour on Arches paper, 76x56 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1997. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1600 |
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#13 |
Joachim Bandau (1936)Joachim Bandau (1936) 'Fenster 61F' signed and dated 1997 (lower centre) and titled (lower left) watercolour on Arches paper,76x56 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1997. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1600 |
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#14 |
Joachim Bandau (1936)Joachim Bandau (1936) Untitled (2008) Untitled (2009) Untitled (2011) black lacquer on wood (3), 70x30,5x3, 15,2x31,4x1,5 and 28x35x3 cm (three parts assembled) Provenance: Galerie Phoebus, Rotterdam and Baukunst Galerie, Cologne, acquired in 2008, 2009 and 2011. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Joachim Bandau. Schwarz-Aquarelle - Black Watercolour Paintings’, Wolfgang Becker/ Ferdinand Ullrich (ed.) Aachen 2001, p. 51 one work illus. Bandau’s lacquer works and his black watercolour paintings produced since 1983 both exploit the principle of layering. For his black watercolour works, he applies washes of strongly diluted paint in several layers onto heavy handmade-paper. Each individual layer is transparent and nearly invisible. The black sculptural wall objects are coated with a special Burmese lacquer. (Source: Artists’ gallery website)Schatting: 6000 - 9000 |
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#15 |
Simon Benson (1956)Simon Benson (1956) 'Unsung Song' (2009) partially painted MDF-board, number 1 from an edition of 7, 12,5x27,5x3 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2010.Schatting: 150 - 200 |
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#16 |
Simon Benson (1956)Simon Benson (1956) 'Light' (1999) partially painted MDF-board, 25x7x4 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1999.Schatting: 150 - 200 |
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#17 |
Simon Benson (1956)Simon Benson (1956) 'Heiliger Platz' (1998) MDF-board, number 5 from an edition of 10, 11x26x4 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1999.Schatting: 150 - 200 |
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#18 |
Tom Benson (1963)Tom Benson (1963) 'Reference' (2011) pigment and polyurethane binder on aluminium panel, 72x51x2,2 cm Provenance: Hidde van Seggelen Gallery, London, acquired in 2012.Schatting: 3000 - 5000 |
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#19 |
Ronald de Bloeme (1971)Ronald de Bloeme (1971) (Black) Gift' signed, titled and dated 2008 (on the reverse) enamel on canvas, 120x230 cm Provenance: Hamish Morrison Galerie, Berlin, acquired in 2009. Literature: ‘Ronald de Bloeme. Speisereste. Kategorie 3’, Harmish Morrison Gallery Berlin (Ed.), Wuppertal 2012, p. 89 illus. in colour.Schatting: 3000 - 5000 |
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#20 |
Loréne Bourguignon (1957)Loréne Bourguignon (1957) Untitled (1995) signed in pencil (lower left) heliogravure, in two parts, numbered 1/5, 47x67 cm Provenance: Galerie Phoebus Rotterdam, acquired in 1998.Schatting: 100 - 150 |
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#21 |
Ansuya Blom (1956)Ansuya Blom (1956) Untitled signed with initials and dated '94 in pencil (lower right) silkscreen printed in colours, numbered 31/100, 63x90 cm. From the portfolio ‘Tien jaar later’, printed and published by Zeger Reijers, Rotterdam in 1995. Provenance: Zeger Reijers, Rotterdam, acquired in 1995.Schatting: 100 - 150 |
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#22 |
Fons Brasser (1944)Fons Brasser (1944) Stillgelegt (Wannseebahn)' (1983) series of 10 black and white prints on baryte paper, each 99x73 cm (six framed) Provenance: Acquired directly from the artist, Haarlem 2002. Literature: Fons Brasser, 'Stillgelegt. Westberliner S-Bahnhöfe in den achtziger Jahren', Berlin 1997.Schatting: 2500 - 3000 |
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#23 |
Fons Brasser (1944)Fons Brasser (1944) Watertoren Leerdam' (2) form the series Watertoren (1993) photographic negatives on aluminium plates (2), number 1 from an edition of 5, each 24x28 cm Provenance; Fotomania, Rotterdam, acquired in 1996. Literature: Fons Brasser, 'Water Towers - Watertorens - Wassertürme', 010 Publishers, Rotterdam 2005, p. 95 illus.Schatting: 200 - 300 |
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#24 |
Fons Brasser (1944)Fons Brasser (1944) 'Untitled' 'S2 M1' ('06) 'Serie 5, Model 2' ('99) 'Serie 9' (2/'07) 'De Rijp' ('06) 'Mult M8' ('07) five signed, titled and dated (on the reverse) zinc and painted cardboard (6), four numbered resp. 1/7 and 4/10, dimensions variable, largest piece 30x22x16 cm Provenance: Directly acquired from the artist in Haarlem.Schatting: 1000 - 1500 |
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#25 |
Fons Brasser (1944)Fons Brasser (1944) Untitled (2004) steel, two parts assembled, 25x28 cm Provenance: Acquired directly from the artist, Haarlem 2006.Schatting: 200 - 300 |
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#26 |
Fons Brasser (1944)Fons Brasser (1944) 'Serie III Nr. III' signed, titled and dated '97 (underneath) wood and concrete, two parts assembled, 21x25x21 cm Provenance: Acquired directly from the artist, Haarlem 2010.Schatting: 200 - 300 |
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#27 |
Fons Brasser (1944)Fons Brasser (1944) 'Pascal serie' (2) both signed and dated 1998 (on the reverse), one titled shoe wax on cardboard (2), each 38x38 cm Provenance: Both acquired directly from the artist, Haarlem 1998.Schatting: 400 - 600 |
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#28 |
Fons Brasser (1944)Fons Brasser (1944) 'Insnijden-samenvoegen' (2006) cut paper, 50x50 cm, with a sketch of the work on a post-it pad on the backing Provenance: Acquired directly from the artist, Haarlem 2006.Schatting: 200 - 300 |
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#29 |
Fons Brasser (1944)Fons Brasser (1944) Untitled (1997) steel, 24x30x24 cm Provenance: Galerie Nine, Amsterdam, acquired in 1998. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#30 |
Willem BuffingWillem Buffing 'Driewerf' (2000) iron and metal, 10x31,5x10 cm Provenance: RAM galerie, Rotterdam, acquired in 2001.Schatting: 150 - 200 |
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#31 |
Willem BuffingWillem Buffing 'S3' (2000) iron, metal and flat iron, 20x72x19 cm Provenance: RAM Galerie, Rotterdam, acquired in 2001.Schatting: 200 - 400 |
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#32 |
Marian Breedveld (1959)Marian Breedveld (1959) Untitled signed and dated 2003 (on the overlap) oil on canvas, 120x195 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2003. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Ernst van Alphen, Marc Donnadieu, ‘Marian Breedveld’, Thieme Art, Deventer 2003, p. 41. Illus. in colour.Schatting: 2500 - 4000 |
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#33 |
Harmen Brethouwer (1960)Harmen Brethouwer (1960) 'Broken White' from the series Urushi Monochromes signed and dated 2010 (on the reverse) eggshell urushi on MDF-board, 50x50 cm Provenance: Hidde van Seggelen Gallery, London, acquired in 2010.Schatting: 3000 - 5000 |
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#34 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) 'Presents to the tree' 14 aluminium branches, dimensions variable. Also included: the corresponding concept drawing, signed, titled and dated 2007, coal and silver pen on paper, 65,5x50 cm. Another 'Presents to the tree' installation was made for the Residence of the Dutch Embassy in Beijing. Provenance: Acquired directly from the artist, Amsterdam 2010.Schatting: 3000 - 5000 |
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#35 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) 'Egelantier Spiraal' (Spiral Ouroboros) signed and dated '99 bronze with a green black patina, 43x45x45 cm Provenance: Art Affairs, Amsterdam, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 3000 - 5000 |
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#36 |
René Daniëls (1950)René Daniëls (1950) de kelder de zolder' signed inside of the box, titled and dated '87 painted bow tie, velvet and silkscreened wooden box, from the edition of 160 individual copies, 10x19x3,5 cm. From: 'this box contains items you ordered', published by Bébert, Rotterdam, in 1987. Also enclosed from the same edition: ‘RDAM', numbered 14/160, monogrammed, titled and dated 1986 in ink, silkscreen in black and drawing in brown ink, from the edition of 160 copies, 25x32,5 cm. Provenance: Luiscius, Den Bosch, acquired in 2009.Schatting: 1500 - 2000 |
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#37 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) 'Phyllotaxis' signed and dated '92 (on the inside) bronze with a black patina, 96x13x11 cm Provenance: Art Affairs, Amsterdam, acquired in 1993.Schatting: 1800 - 2200 |
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#38 |
Yael Davids (1968)Yael Davids (1968) 'Untitled' signed and dated 1997 (on the reverse) c-print mounted on dibond, numbered 6/12, 51x36 cm Provenance: Nouvelles Images, The Hague, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#39 |
Kris van Dessel (1967)Kris van Dessel (1967) 'Germination 9' signed, titled and dated 2007 (on the stretcher) acrylic and oil on canvas, 150x120 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2008. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#40 |
Koen Delaere (1970)Koen Delaere (1970) Untitled signed and dated 2014 (on the reverse) oil and ink on cardboard, 70x50 cm Provenance: Galerie Hofland, Amsterdam, acquired in 2014.Schatting: 800 - 1500 |
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#41 |
Kris van Dessel (1967)Kris van Dessel (1967) Untitled (2007) signed and dated 2007-2008 twice (on the stretcher and on the reverse) acrylic on canvas, 60x80 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2008. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 700 - 1000 |
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#42 |
Kris van Dessel (1967)Kris van Dessel (1967) 'The Red Sea Gallery' signed, titled and dated 'Casola d'Elsa 8/2006' (on the reverse) pencil drawing, 21x29,7 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2008.Schatting: 300 - 500 |
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#43 |
Dora Dolz (1941-2008)Dora Dolz (1941-2008) Untitled (2) both signed and dated 1980 in pencil (lower right) 2 lithograph's printed in colours, numbered resp. E.A. and 24/25, 60x44 and 42x52 cm Provenance: Acquired directly from the artist, Rotterdam 1982.Schatting: 150 - 200 |
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#44 |
Jef Diederen (1920-2009)Jef Diederen (1920-2009) Montagne Sainte-Victoire Untitled both signed and dated '91 in pencil (lower right) 2 woodcuts printed in colours, numbered resp. 19/75 and 147/200, 94x63 and 28x28 cm Provenance: Stedelijk Museum Schiedam, acquired in 1991.Schatting: 100 - 200 |
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#45 |
Dora Dolz (1941-2008)Dora Dolz (1941-2008) Untitled (6) all signed in pencil and dated resp. 1980 and 1981 (lower right) 6 lithographs, numbered in pencil, resp. from an edition of 10 and 11, each print circa 28x39 cm Provenance: Acquired directly from the artist, Rotterdam 1982.Schatting: 400 - 600 |
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#46 |
Cor van Dijk (1952)Cor van Dijk (1952) Untitled (2000) steel, four parts assembled, 98x26x12 cm Provenance: Nouvelles Images, The Hague, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1000 - 1500 |
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#47 |
Cor van Dijk (1952)Cor van Dijk (1952) Untitled (1998) steel, two parts assembled, number 17 from an edition of 20, 12x30x10 cm Provenance: Nouvelles Images, The Hague, acquired in 1998. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#48 |
Florette Dijkstra (1963)Florette Dijkstra (1963) De werkkamer van Vincent van Gogh in Auvers' signed, titled and dated 2010 (lower right) pencil drawing, 50x50 cm Provenance: De KetelFactory, Schiedam, acquired in 2010. Florette Dijkstra looks for the ‘empty spaces’ in art history. Alongside numerous multi-annual projects, she has created drawings surrounding themes of visual art and literature, including a series on the reflection of man. The works explore that which precedes the creation of a work of art, and that which follows it. Dijkstra sometimes spends years travelling in the footsteps of forgotten characters, narrating her quests in drawings and text. (Source: website De KetelFactory, Schiedam)Schatting: 400 - 600 |
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#49 |
Florette Dijkstra (1963)Florette Dijkstra (1963) 'Commode in de werkkamer van Fernando Pessoa' signed, titled and dated 2010 (lower right) pencil drawing, 50x50 cm Provenance: De KetelFactory, Schiedam, acquired in 2010.Schatting: 400 - 600 |
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#50 |
Aloysius Donia (1973) and Daan van Golden (1936-2017)Aloysius Donia (1973) and Daan van Golden (1936-2017) 'T-shirts' (1998/1999) all signed by Donia with felt pen (on label on the backing) 5 black and white photographs, number 1 from a registered edition of 3, 30x20 each Provenance: Acquired directly from the artist, Rotterdam 1999.Schatting: 1000 - 1500 |
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#51 |
Aloysius Donia (1973)Aloysius Donia (1973) Untitled signed and dated 1995 (on the reverse) oil on canvas, 90x60 cm Provenance: Jan Donia, Rotterdam, acquired in 1999.Schatting: 150 - 250 |
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#52 |
Marlene Dumas (1953)Marlene Dumas (1953) De muze is moe' signed and dated 1994 in pencil (lower right) silkscreen printed in colours, numbered 31/100, 63x90 cm. From the portfolio ‘Tien jaar later’, printed and published by Zeger Reijers, Rotterdam in 1995. Provenance: Zeger Reijers, Rotterdam, acquired in 1995.Schatting: 1500 - 2000 |
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#53 |
Anne van Eck (1974)Anne van Eck (1974) 'Impudica' (2004) porcelain, 18x48x32 cm Provenance: RAM galerie, Rotterdam, acquired in 2004. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#54 |
Anne van Eck (1974)Anne van Eck (1974) Untitled (2006) wax and cloth, 8x23x37 cm Provenance: RAM galerie, Rotterdam, acquired in 2006. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#55 |
Otto Egberts (1949)Otto Egberts (1949) Schaamstreken I-IV' all signed and dated 2000 in pencil (on the endpapers) four artist's books with drawings, two with 11 and two with 15 double pages, bound in goat leather, each 40x11x2 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2000. The work of Rotterdam-based artist Otto Egberts deals with a constant doubt about the meaning of existence. His drawings depict fleshy masses, deformed body parts or introverted figures with expressionless faces in oppressive spaces. Titles such as ‘Execution’ and ‘Disease in Paradise’ emphasise the macabre heart of Egberts’ oeuvre. Egberts describes his work as a ‘solidified extension of my hands’. He translates the images in his mind into charcoal drawings on thick wrapping paper. For him, drawing is a search for the meaning of ‘being’ and an attempt to bridge the gap between body and mind. He thus strives to reconcile his inner experiences with the physical reality that surrounds him. (Source: website Museum Boijmans van Beuningen, Rotterdam)Schatting: 500 - 700 |
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#56 |
Ron van der Ende (1965)Ron van der Ende (1965) Spits IV' signed, titled and dated 1998 (on the reverse) salvaged wood, 176x27x20 cm Provenance: Galerie Delta, Rotterdam, acquired in 1998. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. A man scavenges the streets of Rotterdam, picking up old doors and boards; materials considered worthless by others. He turns them into beautiful and spectacular works of art in his workshop, celebrating the inventiveness and perseverance of humanity as well as its frailty and failures (Source: Artist’s website)Schatting: 4000 - 6000 |
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#57 |
Rolf Engelen (1964)Rolf Engelen (1964) 'Antenna' (2009) Five bronze and wood sculptures, each approx. 50x15x5 cm Provenance: RAM galerie, Rotterdam, acquired in 2009.Schatting: 700 - 1000 |
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#58 |
Rolf Engelen (1964)Rolf Engelen (1964) Untitled (2007) pencil drawing, 24x51,5 cm Provenance: RAM galerie, Rotterdam, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#59 |
Rolf Engelen (1964)Rolf Engelen (1964) Untitled (2007) monogrammed (on the reverse) steel springs and metal, 50x31x23 cm Provenance: RAM galerie, Rotterdam, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 800 |
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#60 |
Jan Fabre (1958)Jan Fabre (1958) Het graf van de onbekende computer' 4 c-prints mounted on foam board, from an edition of 40, each 50x50 cm Provenance: Deweer Gallery, Otegem, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Jan Fabre’s work cannot be pigeonholed because it is inextinguishable, exploring all the areas of art’s intermediary role (theatre, opera, video, choreography, performance, drawings, installations). In pursuing his burning quest for beauty and freedom, Jan Fabre does not wish to reveal the labyrinth of his art. He is an exacting man, who allows you to journey towards his imaginary realm, but offers no keys to reading his marvellous world. The installation of small blue crosses, carefully arranged using the model of military cemeteries is a moving allusion to the parallel fate of insects and people. On each one of the crosses is carved the Flemish name for a family of insects, a metaphor of the fate of the common man. Like some anonymous, vulnerable shield, ontologically associated with sacrifice, he champions the ideologies and philosophies of a social life that is ordered, hierarchical, violent, cruel and cannibalistic. In the collective unconscious, the insect is the pariah, the creature that is unworthy of divine creation, and yet the oldest living being on the planet. It is the living, seething evidence of our most primitive and bellicose instincts. Fabre chooses the marvellous to describe the abjectness of our desires and senses. (Source: website: FRAC Lorraine, text: Béatrice Josse)Schatting: 1800 - 2200 |
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#61 |
Mathieu Ficheroux (1926-2003)Mathieu Ficheroux (1926-2003) Untitled signed and dated '84 (lower right), artist's stamp (on the stretcher) acrylic on canvas, 200x160 cm Provenance: Acquired directly from the artist in Rotterdam.Schatting: 300 - 500 |
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#62 |
Mathieu Ficheroux (1926-2003)Mathieu Ficheroux (1926-2003) 'Movie Star' signed and dated '64 (lower left), titled (lower right), and signed, titled and dated (on the backing) paper collage on board, 64x49 cm Provenance: Galerie Delta, Rotterdam, acquired in 1997.Schatting: 200 - 400 |
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#63 |
Mathieu Ficheroux (1926-2003)Mathieu Ficheroux (1926-2003) Untitled signed and dated '73/74 (on the reverse) oil stick on paper, acrylic glass, plywood and aluminium, 100,5x65,5 cm Provenance: Acquired directly from the artist, Rotterdam 1978.Schatting: 200 - 400 |
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#64 |
Harrie Gerritz (1940)Harrie Gerritz (1940) 'Toren in compositie' signed and dated 1995 (lower right) acrylic on canvas, 179x120 cm Provenance: Galerie Blom, Dordrecht, acquired in 1998.Schatting: 800 - 1200 |
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#65 |
Harrie Gerritz (1940)Harrie Gerritz (1940) 'Painter's Castle' (1997) signed with the artist's initials (lower centre) acrylic on canvas, 30x24 cm Provenance: Galerie Blom, Dordrecht, acquired in 1998.Schatting: 300 - 500 |
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#66 |
Annemieke Fanoy (1970)Annemieke Fanoy (1970) 'Cosmic Pause' (2012) signed and dated 2012 (on the stretcher) wax, pigment and lacquer on moneybag from The Dutch Bank filled with sheep wool and stretched on a wooden frame, 20x18 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2013.Schatting: 150 - 250 |
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#67 |
Frederic Geurts (1965)Frederic Geurts (1965) 'Blauwe vleugel' (2002) polyester voile fabric and steel, 150x33 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2002.Schatting: 400 - 600 |
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#68 |
Joachim Grommek (1957)Joachim Grommek (1957) 'o.T. #76' signed, titled and dated 2006 (on the reverse) mixed media on plywood, 50x50 cm Provenance: Vous Etes Ici, Amsterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 800 |
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#69 |
Stefan Gritsch (1951)Stefan Gritsch (1951) 'Portrait' signed, titled and dated 2002/03 (on the reverse) acrylic on aluminium panel, 39x30x2,5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1500 - 2000 |
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#70 |
Joachim Grommek (1957)Joachim Grommek (1957) 'Sonderposten' signed, dated '11 and annotated 1/5 (on the reverse) lacquer on canvas, 20x40 cm Provenance: Vous Etes Ici, Amsterdam , acquired in 2012.Schatting: 300 - 500 |
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#71 |
Lieven Hendriks (1970)Lieven Hendriks (1970) 'Sunny Spells' (2012), signed, titled, dated 2011 and numbered 3/5 (on the reverse), acrylic on canvas, 55x45 cm Provenance: Vous Etes Ici, Amsterdam, acquired in 2012.Schatting: 300 - 500 |
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#72 |
Klaas Gubbels (1934)Klaas Gubbels (1934) Untitled (1998) signed and dated '98 in pencil (lower right) silkscreen printed in 2 colours, numbered 10/40, 48,5x64,5 cm Provenance: Galerie Helga Hofman, Alphen aan den Rijn, acquired in 1999.Schatting: 100 - 200 |
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#73 |
Klaas Gubbels (1934)Klaas Gubbels (1934) Untitled signed and dated 2001 (on the back right table leg) painted wood, numbered 26/35, 45x37x17 cm Provenance; Acquired directly form the artist in 2001.Schatting: 300 - 500 |
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#74 |
Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962)Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962) Untitled (1999) ceramic and china, 79x48x48 cm Provenance: Nouvelles Images, The Hague, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 2000 - 3000 |
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#75 |
Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962)Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962) Untitled (1993) porcelain, partially glazed, 72x27x27 cm Provenance: Nouvelles Images, The Hague, acquired in 2000.Schatting: 2000 - 3000 |
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#76 |
Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962)Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962) Untitled signed with the artists' monogram and dated 2006 (underneath) ceramic, china, resin, metal and string, 102x60x58 cm Provenance: Nouvelles Images, The Hague, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 3000 - 4000 |
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#77 |
Ewerdt Hilgemann (1938)Ewerdt Hilgemann (1938) Untitled (1966-67) signed and dated 1966-67 in pencil (lower right) embossed print, 46x46 cm Provenance: Art Affairs, Amsterdam, acquired in 2002. From the beginning, elementary research has characterized Ewerdt Hilgemann’s work. After experiments with subtle, white wooden wall pieces catching light in the 1960s, he turned into a conceptual sculptor, using natural stone, as well as steel, geometrical shapes in series: positive versus negative. In 1980 he introduced randomness and natural powers beyond his control into his working method. Much to his surprise, he found that also the unpredictable is subject to natural laws, to which he soon could adapt and anticipate. (Source: Artist’s website)Schatting: 200 - 300 |
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#78 |
Ewerdt Hilgemann (1938)Ewerdt Hilgemann (1938) 'Rolling Cube' signed, titled and inscribed 'Carrara 12.6.1982' (in the print) offset lithograph on paper, 42x42 cm Provenance: Acquired directly from the artist, Amsterdam 1995.Schatting: 100 - 150 |
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#79 |
Ronald in 't Hout (1953)Ronald in 't Hout (1953) 'Rijdend Huis' (1989) indistinctly annotated underneath granite, felt and gold paint, 47x21x25 cm Provenance: Centrum Beeldende Kunst Rotterdam, acquired in 1990. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#80 |
Michael Johansson (1975)Michael Johansson (1975) 'Fade in, Fade out' both signed, titled and dated 2013 (underneath) cubes made of ordinary items, in two parts, each 33x33x33 cm Provenance: Galerie Ramakers, The Hague, acquired in 2013.Schatting: 1800 - 2500 |
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#81 |
Yoshiyuki Kakedo (1953)Yoshiyuki Kakedo (1953) Untitled both signed and dated '4.1.01' (on the overlap) oil on wood (2), each 10x10x2 cm Provenance: Galerie De Zaal, The Hague, acquired in 2004. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 400 - 600 |
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#82 |
Irmel Kamp (1937)Irmel Kamp (1937) Brewery, Avenue van Volxem 366, Brussels (1997), signed, dated 1997 and numbered 1/5 (on the backing), black and white photograph, 120x150 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2003. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1500 |
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#83 |
Job Koelewijn (1962)Job Koelewijn (1962) 'A Balancing Act' (1998) signed and dated 2000 in pencil (lower right) silkscreen printed in colours, numbered 50/50, 95x77 cm, beside the edition of 3 c-prints mounted on dibond Provenance: Galerie Fons Welters, Amsterdam, acquired in 2005. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Luca Cerizza, 'Job Koelewijn, History/Future', 2003, Chisenhale Gallery, London/ Galerie Fons Welters, Amsterdam (publ.), p. 7 and 96 (another edition illustrated).Schatting: 800 - 1200 |
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#84 |
Ewoud de Kroon (1970)Ewoud de Kroon (1970) Untitled (2000) signed and dated '94 (on the reverse) black and white photograph mounted on dibond, numbered 1/5, 70x130 cm Provenance: Galerie Delta, Rotterdam, acquired in 2000.Schatting: 200 - 300 |
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#85 |
Antti Laitinen (1975)Antti Laitinen (1975) My Island III' (2007) c-type mounted on dibond, number 3 from an edition of 6, 115x115 cm Provenance: Nettie Horn Gallery, London, acquired in 2010. In his series, ‘It’s My Island’, Laitinen builds his own island in the Baltic Sea by dragging two hundred sand bags into the water over a period of three months - using nothing but a spade, sand and sacks. In this repetitive and idiosyncratically absurd performance, Laitinen explores notions of nationality - building his own independent micro-nation inhabited by a single citizen - and questions fundamental issues of citizenship and identity. When the island is built, Laitinen then carefully documents it in a series of large-scale photographs which are noble representations of the beautiful and romantic landscape which is so present in Laitinen’s work. Each photograph revealing different aspects of nature’s emotional influence on the landscape – from a calm and idyllic setting to a foreboding stormy seascape. (Source: press release Nettie Horn Gallery, London )Schatting: 1500 - 2000 |
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#86 |
Maarten Laupman (1953)Maarten Laupman (1953) 'Kansas' signed, titled and dated 1992 (on the backing) black and white photograph, 38x53 cm Provenance: Galerie Kralingen, Rotterdam, acquired in 1999.Schatting: 80 - 150 |
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#87 |
Albert Verkade (1945)Albert Verkade (1945) 'Hemel en aarde' dated 1995 iron and stone, 26x26x21,5 cm Provenance: Stichting Donia Partners, Rotterdam, acquired in 1997. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#88 |
Albert Verkade (1945)Albert Verkade (1945) 'Hemel en aarde' marked with the artist's name and dated 1994 iron and stone, 35,5x35,5x8 cm Provenance: Stichting Donia Partners, Rotterdam, acquired in 1995. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#89 |
Ton van Kints (1955)Ton van Kints (1955) 'Druif' signed, titled and dated 1996-2006 (on the reverse) lacquer, staples, plastic and board, 52,5x64,5x2 cm Provenance: Galerie Ramakers, The Hague, acquired in 2007.Schatting: 200 - 300 |
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#90 |
Jerry Keizer (1938-2016)'10-67.5-99' signed, titled and dated Amsterdam '99 (on the reverse) oil on canvas, 67,5x67,5 cm Provenance: Nouvelles Images, The Hague, acquired in 1999.Schatting: 400 - 600 |
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#91 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) Untitled, signed and dated 1994 (on the reverse) oil on canvas, 135x135 cm Provenance: Nouvelles Images, The Hague, acquired in 1996.Schatting: 1500 - 2000 |
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#92 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) '3-180-97', signed and dated '97 (on the reverse) oil on canvas, 180x180 cm. Provenance: Nouvelles Images, The Hague, acquired in 1997. |
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#93 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) '6-90-97', signed, tiled and dated Amsterdam '97 (oil on canvas), 80x90 cm. Provenance: Nouvelles Images, The Hague, acquired in 1998.Schatting: 700-1000 |
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#94 |
Ton van Kints (1955)Ton van Kints (1955) Koekoeksnest gepolderd zwart 2' artist's stamp, dated 6/3/09 and titled (on the reverse) epoxy resin, paint, staples and board, 99x101 cm Provenance: Galerie Ramakers, The Hague, acquired in 2009. The ‘Cuckoo’s Nest’ series takes loosely sawn circles as its point of departure, out of which a second, inner circle has been cut. Van Kints tucks the resulting ‘egg’ back into the negative space it came from, but the wrong way around – like a Cuckoo invading another bird’s nest to have its own eggs nursed to term. The result is fragile and poignant, especially when Van Kints uses force to jam the Cuckoo eggs into position. A friction results that the onlooker can feel in his own body. Occasionally, Van Kints eases the tension by trimming the edges of an egg and ‘puzzling’ the bits back together again. He calls these ‘Poldered Cuckoo’s Nests’, a reference to the Dutch compulsion to smooth away and juggle problems until the slightest unevenness or tension has been removed, as if contradictions had never existed. (Source: artist’s website, author: Onno Schilstra, 2005)Schatting: 600 - 800 |
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#95 |
Adam Kokesch (1973)Adam Kokesch (1973) 'Monoscope' (2009) acrylic paint and acrylic glass on plastic trowel, 18x22x10 cm Provenance: Tanya Rumpff, Haarlem, acquired in 20011.Schatting: 200 - 400 |
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#96 |
Adam Kokesch (1973)Adam Kokesch (1973) Untitled (2011) acrylic paint and acrylic glass on plastic trowel, 13x27x15 cm Provenance: Tanya Rumpff, Haarlem, acquired in 20013.Schatting: 200 - 400 |
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#97 |
Paul de Kort (1961)Paul de Kort (1961) 'Enantio Stretch' (1999) silicon rubber and pencil, 60x120 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 400 |
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#98 |
Ton Kraayeveld (1955)Ton Kraayeveld (1955) 'Double Pattern Painting' signed, dated 2001 and titled (on the reverse) oil on linen, 80x60 cm Provenance: Nouvelles Images, The Hague, acquired in 2002. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#99 |
David Lindberg (1964)David Lindberg (1964) Even treatment of an Irregular Surface' signed, titled and dated 2002 (on the reverse) fiberglass, pigment and foam, 101x81 cm Provenance: Galerie Tanya Rumpff, Haarlem, acquired in 2003. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. David Lindberg's work is characterised by his experimental use of modern, industrial produced materials (such as epoxy, glass/carbon fiber, rigid foam-combined with paper, oil paints and pigments). The materials are easily modelled and ductile and give Lindberg the possibility of changing aim and exploring again and again. By his free play of materials he discovers a language of new colours, shapes, transparencies and combinations of form. (Source: Artist’s website)Schatting: 800 - 1200 |
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#100 |
David Lindberg (1964)David Lindberg (1964) Untitled signed and dated 2004 (on the reverse) epoxy resin, pigments and mirrors, 75x55x55 cm Provenance: Galerie Tanya Rumpff, Haarlem, acquired in 2004. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#101 |
David Lindberg (1964)David Lindberg (1964) 'Reflective Tube' (2007) signed and dated '07 ( on the reverse) epoxy resin and pigment, 21x25x53 cm Provenance: Galerie Tanya Rumpff, Haarlem, acquired in 2004. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#102 |
Dave Meijer (1955)Dave Meijer (1955) Untitled dated 2013 (on the reverse) oil on carved wood, 38x18,5 cm Provenance: Galerie van den Berge, Goes, acquired in 2013.Schatting: 200 - 400 |
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#103 |
Johan Meijerink (1948)Johan Meijerink (1948) 'Scream' (2005) bronze, in two parts, each 9x9x9 cm Provenance: Galerie Ramakers, The Hague, acquired in 2005.Schatting: 300 - 500 |
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#104 |
Jan van Munster (1939)Jan van Munster (1939) 'Energie' signed, titled and dated 1991 in pen (lower right) pyrography on paper, numbered 13/20, 122x90 cm Provenance: Art Affairs, Amsterdam, acquired in 1991. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#105 |
Jan van Munster (1939)Jan van Munster (1939) 'Energieveld' signed, titled and dated 1991 in pen (lower right) pyrography on paper, numbered 19/25, 122x90 cm Provenance: Art Affairs, Amsterdam, acquired in 1991. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#106 |
Ronald Noorman (1951)Ronald Noorman (1951) 'Mijn/Dijn' signed with the artist's initials and dated '98 (lower right) gouache and charchoal on paper, 27x36 cm Provenance: Nouvelles Images, The Hague, acquired in 1999.Schatting: 100 - 200 |
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#107 |
Francois Morellet (1926-2016)Francois Morellet (1926-2016) Untitled (3) (1996) all signed in pencil (lower right) embossing, crayon and collage on paper, in three parts, each numbered 29/30, 40x40 cm. Published by Edition Sollertis. Provenance: Art Affairs, Amsterdam, acquired in 1997.Schatting: 3000 - 5000 |
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#108 |
David Nash (1945)David Nash (1945) David Nash 'Shin', signed, titled, dated '95 and numbered 6/7 (on the reverse), beech wood object, 70x32x2 cm Provenance: Art Affairs, Amsterdam, acquired in 1997.Schatting: 1000 - 1500 |
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#109 |
Ossip (1952)Ossip (1952) Untitled signed and dated 2014 (on the reverse) mixed media sculpture, numbered 94/200, 28x14,5x8 cm. Published at the ocassion of the 20 anniversary of Galerie Ramakers. Provenance: Galerie Ramakers, The Hague, acquired in 2014.Schatting: 600 - 800 |
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#110 |
Atsuo Okamoto (1951)Atsuo Okamoto (1951) 'The line of a body' (2000) contact prints collage, 201,5x12,5 cm Provenance: Art Affairs, Amsterdam, acquired in 2000.Schatting: 600 - 800 |
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#111 |
Ossip (1952)Ossip (1952) Untitled (study no. 35) signed and dated 17-7-02 on the base mixed media, 35x24x8 cm Provenance: Galerie Ramakers, The Hague, acquired in 2002. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Dick Raaijmakers, J.L. Locher, ‘Ossip’, Gemeentemuseum Den Haag, The Hague 1996, illus. in colour. Ossip uses old photographs taken from medical books or faded newspapers and magazines, often dating back to the early twentieth century. He is interested in the images themselves, not their context. The pictures are astonishing, partly because they often show people with physical abnormalities and partly (as when they show classic beauties of the past) because they are removed from their original historical context. Ossip enlarges these isolated images and manipulates them to place them in today’s world. The original image is still there but its meaning is changed. He restores three-dimensionality by stretching strings or wire around it or adding animal bones or fragments of cloth. In this way, emphases are imposed and powerful images are created. Ossip’s procedure conjures up a completely different world, in which viewers are free to endow the new images with whatever significance they choose. Ossip works by association; the texts he places on the works may bear some relationship to them, but then again they may not. His unorthodox working methods are not based on any ideology or art historical style. He aims to avoid any kind of accompanying rhetoric, believing that art should be left to speak for itself. The resulting work is intriguing, often oppressive, challenging and thoroughly thought-provoking. (Source: Website Gemeentemuseum, Ossip exhibition)Schatting: 1200 - 1800 |
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#112 |
Hans Op de Beeck (1969)Hans Op de Beeck (1969) Room' (2012) Lambda print mounted on dibond, number 2 from an edition of 5, 110x180 cm Provenance: Galerie Ron Mandos, Amsterdam, acquired in 2013. Hans Op de Beeck produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it. He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder, silence and introspection. In his ongoing ‘Room’ series of large black-and-white pictures, the artist concentrates on the loss of self, moments in which a person in an interior slips into a state of mental absence. Every picture features only one protagonist, each of whom is presented in completely different surroundings. The interiors provide information about the presumed life and social background of the person portrayed, as well as about the specific moment and the stage of life that the individual has reached. This series of images in photographic form is more closely related to the traditional art of painting than to photography, as each of the interiors has sprung from the artist's imagination. These are non-existent interiors designed entirely by computer with a realism that appears photographic in quality. The framing of the picture alludes to the classic paintings of artists including the Flemish Primitives, employing a central perspective, a 'naïve' construction with a single central vanishing point. This precise perspective reinforces the invitation to the viewer to enter mentally into the space. The artist has incorporated characters (actors) into these virtual spaces, dressing and directing them in an empty photographic studio. The characters and the setting are then brought together on the computer screen. Each of the characters, no matter how different in appearance, has the same calm, introspective gaze, alluding to Old Masters such as Rogier van der Weyden. The presence of a window or aperture in a side or rear wall, an opening to the world outside, is a further connection to the traditional painting of that period. However, this series also clearly refers to movies, in particular the film noir, in the use of a cinematographic, black-and-white wide-screen image and a cast of actors. The focus is on one actor in a still, artificial, often implicitly threatening setting. The artificial nature of the setting is never denied in these obviously constructed images, another factor that is closely related to traditional painting. (Source: Artist’s website)Schatting: 6000 - 8000 |
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#113 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Sarah-1', signed, titled, dated ’02 (on the stretcher and on the reverse) textile and artificial hair, numberd 1/20, 50x50 cm Provenance: Stedelijk Museum Schiedam, acquired in 2002.Schatting: 1000 - 1200 |
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#114 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Pedro-3' signed and dated 2004 (lower centre) cowhide, 45,5x35,5 cm Provenance: Galerie De Zaal, Delft, acquired in 2005.Schatting: 1000 - 1200 |
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#115 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Tweeling -4' signed, titled and dated 2004 (lower centre) 2 cowhides on paper, 44,5x32,5 cm Provenance: Galerie De Zaal, Delft, acquired in 2005.Schatting: 1000 - 1200 |
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#116 |
Lon Pennock (1945)Lon Pennock (1945) Arpege' (2001) marked LP 01-2 bronze with a black patina, from an edition of 8, 14x10x21 cm Provenance: Seasons Galleries, The Hague, acquired in 2002. Literature: Jean Leering ‘Lon Pennock’, Jan van Hoof Galerie (ed.), Den Bosch 2001, illus. in colour.Schatting: 600 - 800 |
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#117 |
Andrei Roiter (1960)Andrei Roiter (1960) 'Second Life' (2012) wood, metal, PVC and paint, 45x73x54 cm Provenance: Galerie Akinci, Amsterdam, acquired in 2012.Schatting: 2000 - 3000 |
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#118 |
Sarah van der Pols (1973)/ Marcel Wesdorp (1965)Sarah van der Pols (1973)/ Marcel Wesdorp (1965) Cryogenic Hotel (2) acrylic, ink and pencil on photograph (2), each 58x65 cm Provenance: Acquired directly from the artist, Schiedam 2005. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 400 - 800 |
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#119 |
Sarah van der Pols (1973)Sarah van der Pols (1973) 'Holusito 3' signed, titled and dated 2012 (lower right) mixed media on paper, 55x76 cm Provenance: Zerp Galerie, Rotterdam, acquired in 2012.Schatting: 200 - 400 |
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#120 |
Sarah van der Pols (1973)Sarah van der Pols (1973) 'Rafael' signed, titled and dated '06 in pencil (lower left) mixed media on paper, 126x94 cm Provenance: Acquired directly from the artist, Schiedam 2006.Schatting: 300 - 500 |
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#121 |
Maria Roosen (1957)Maria Roosen (1957) ‘Washed Tree (Fluor) (2012) signed on the glass glass, fluor, birch trunk, 20x19x15 cm Provenance: Galerie Ramakers, The Hague, acquired in 2013.Schatting: 800 - 1200 |
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#122 |
Tomas Rajlich (1940)Tomas Rajlich (1940) 'Diang' signed and dated 2004 (on the reverse) acrylic on canvas, 100x95 cm Provenance: Galerie Ramakers, The Hague, acquired in 2005. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1000 - 1500 |
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#123 |
Tomas Rajlich (1940)Tomas Rajlich (1940) Untitled signed and dated '74 (on the reverse) acrylic on board, 75x75 cm Provenance: Galerie Ramakers, The Hague, acquired in 2001.Schatting: 1000 - 1500 |
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#124 |
Martijn Schuppers (1967)Martijn Schuppers (1967) '# 0608/ABHP (Air Brush Hole painting)' (2006) signed, titled and dated 2006 (on the reverse) acrylic, oil and alkyd on polyester, 50x45 cm Provenance: Vous Etes Ici, Amsterdam, acquired in 2006.Schatting: 300 - 500 |
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#125 |
Martijn Schuppers (1967)Martijn Schuppers (1967) '#0919' signed, titled and dated 2009 (on the reverse) acrylic, oil and alkyd on polyester, 50x45 cm Provenance: Vous Etes Ici, Amsterdam, acquired in 2010.Schatting: 300 - 500 |
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#126 |
George Le Roy (1953)George Le Roy (1953) Untitled (2005) signed (on the backing) pigment on paper, 30x30 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2006.Schatting: 200 - 400 |
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#127 |
Bas Princen (1975)Bas Princen (1975) 'Future Highway' (2006) Lambda print, number 1 from an edition of 12, 50x65 cm Provenance: Carl Berg Projects, Amsterdam, acquired in 2006. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1800 |
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#128 |
Willy de Sauter (1938)Willy de Sauter (1938) Waar een auto stilstaat is iets te zien, meestal een dier' signed, titled and dated '71 in pencil (lower right) pencil, ink and Letraset on magazine pages, 18x52 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2002. Literature: ‘Willy de Sauter 1971-2001’, exhib. cat. 17-02-27-05-2001, MUKHA, Antwerp 2001, p. 11, illus. in colour.Schatting: 500 - 700 |
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#129 |
Willy de Sauter (1939)Willy de Sauter (1939) Untitled signed and dated '97 (on the reverse) acrylic and chalk on wood, 50x61 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#130 |
Jan Schoonhoven (1914-1994)Jan Schoonhoven (1914-1994) M I' (Geprägte Strukturen) signed, titled and dated '72 in pencil (lower right) embossed print, numbered 61/120, 59x50 cm. From the portfolio 'Geprägte Strukturen', printed by Tünn Konerding, published by Galerie m, Bochum in 1972. Provenance: RAM galerie, Rotterdam, acquired in 1984. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Rigo/Meijer, 'Jan Schoonhoven. Het grafische oeuvre', Scriptum Art (ed.) Schiedam 2017, no 60.Schatting: 1500 - 2000 |
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#131 |
Jan Schoonhoven (1914-1994)Jan Schoonhoven (1914-1994) M II' (Geprägte Strukturen) signed, titled and dated '72 in pencil (lower right) embossed print, numbered 61/120, 59x50 cm. From the portfolio 'Geprägte Strukturen', printed by Tünn Konerding, published by Galerie m, Bochum in 1972. Provenance: RAM galerie, Rotterdam, acquired in 1984. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Rigo/Meijer, 'Jan Schoonhoven. Het grafische oeuvre', Scriptum Art (ed.) Schiedam 2017, no 60.Schatting: 1500 - 2000 |
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#132 |
Willy de Sauter (1938)Willy de Sauter (1938) Z.T. (Zonder titel) signed and dated 2001 (on the reverse) acrylic and chalk on canvas laid down on wood, 45x45 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2001.Schatting: 800 - 1200 |
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#133 |
Willy de Sauter (1938)Willy de Sauter (1938) 'Werkbundhaus' signed, titled and dated 1994 (on the reverse) chalk on wood, 40x56x3,5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1998. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1500 |
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#134 |
Willy de Sauter (1939)Willy de Sauter (1939) 'Z.T. (Zonder titel) (5) each signed and dated 2003 (on the reverse) pigments, chalk and wood, in 5 parts, each 45x40 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2006. Literature: Luk Lambrecht, Tanguy Eeckhout, 'Willy de Sauter', exhib. cat., Museum Dhondt - Dhaenens, Deinze 2013, p. 119. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 5500 - 8500 |
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#135 |
Schilte & Portielje, Huub Schilte (1953) and Jacqueline Portielje (1958)Schilte & Portielje, Huub Schilte (1953) and Jacqueline Portielje (1958) 07/A4' (2007) artist's label and titled in pen (on the reverse) varnished and polished fine art print mounted on canvas, on board, numbered 5/12, 28x20x4 cm Provenance: Galerie Van Wijngaarden Hakkens, Amsterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Schilte & Portielje. Photoworks Beyond Reality, Volume II’, Kahmann Gallery (ed.), Amsterdam 2011, p. 86 illus.Schatting: 300 - 500 |
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#136 |
Schilte & Portielje, Huub Schilte (1953) and Jacqueline Portielje (1958)Schilte & Portielje, Huub Schilte (1953) and Jacqueline Portielje (1958) 07/A9' artist's label and titled in pen (on the reverse) varnished and polished fine art print mounted on canvas, on board, numbered 3/12, 28x20x4 cm Provenance: Galerie Van Wijngaarden Hakkens, Amsterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Schilte & Portielje. Photoworks Beyond Reality, Volume II’, Kahmann Gallery (ed.), Amsterdam 2011, compare illus. on p. 74.Schatting: 300 - 500 |
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#137 |
Esther Zitman (1965)Esther Zitman (1965) 'Sugar Shower' signed, titled and dated 2006 (on the reverse) c-print mounted on dibond, numbered 1/5, 40x30 cm Provenance: Acquired directly from the artist in Schiedam. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 400 |
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#138 |
Brecht Swaanswijk (1953-2010)Brecht Swaanswijk (1953-2010) 'Javea' ('55+ Feministe) signed (lower right) titled and dated 1997 (lower left) drawing and collage on paper, 23x16 cm Provenance: Galerie Ramakers, The Hague, acquired in 1999.Schatting: 200 - 400 |
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#139 |
Brecht Swaanswijk (1953-2010)Brecht Swaanswijk (1953-2010) 'De stapper' signed (lower left) and dated 1996 (lower right) drawing and collage on paper, 29,5x21 cm Provenance: Galerie Ramakers, The Hague, acquired in 1999.Schatting: 200 - 400 |
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#140 |
Arjanne van der Spek (1958)Arjanne van der Spek (1958) 'Lucht (2)' (2002) cement, brass, glass and cloth, 90x80x25 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 700 |
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#141 |
Arjanne van der Spek (1958)Arjanne van der Spek (1958) 'Knap Knap Knap' (2009) ceramic, wood, brass and paint, in two parts, 70x100x40 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 700 |
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#142 |
Gerard van Soest (1939)Gerard van Soest (1939) 'Werkhandschoenen Merwehaven' all signed in pencil and dated '83 and with artist's label (on the backing) unique work consisting of nine prints on baryte paper, annotated 'e.d.' (eigen druk), each print 33x33 cm Provenance: Acquired directly from the artist, Schiedam 2013.Schatting: 200 - 400 |
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#143 |
Jean-Marc Spaans (1967)Jean-Marc Spaans (1967) Untitled, signed and dated 2005/2007 (on the reverse), Fujiflex mounted on dibond, number 5 from an edition of 8, 160x135 cm Provenance: Nouvelles Images, The Hague, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Piet Molendijk, Machteld Leij, Erik Bos, Geer Pouls and Wim van Sinderen, ‘Jean-Marc Spaans. Traces of light’, Episode Publishers, Rotterdam 2007, cover image and p. 111 illus.Schatting: 1800 - 2200 |
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#144 |
James Stroud (1958)James Stroud (1958) 'Stations' all signed and dated '97 in pencil (lower right) and numbered with Roman numerals from I -IX (lower centre) 9 aquatints coated with beeswax, AP beside the edition of 30, each 35,5x33 cm Provenance: Johan Deumens Gallery, Amsterdam, acquired in 2000.Schatting: 500 - 800 |
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#145 |
Damian Taylor (1977)Damian Taylor (1977) Untitled signed and dated '04 (on the reverse) resin on aluminium plate 37x32x05 cmSchatting: 500 - 800 |
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#146 |
Jerome Touron (1967)Jerome Touron (1967) 'Tartan' partially painted metal, 21x15,5x5 cm Provenance: Galerie Ramakers, The Hague, acquired in 2013.Schatting: 300 - 500 |
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#147 |
Piet Tuytel (1956)Piet Tuytel (1956) 'CV-R7' signed with the artist's monogram, titled and dated 2006 (on the reverse) radiator, aluminium plate and red lacquer, 50x50x7,5 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 800 |
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#148 |
Piet Tuytel (1956)Piet Tuytel (1956) Untitled marked with the artist's monogram and dated '03 red lacquer and steel, twee parts assembled, 16x15,5x16 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#149 |
Piet Tuytel (1956)Piet Tuytel (1956) 'SQ (Square)' signed and titled '05 (underneath) red lacquer, steel and aluminium, numbered 1/5, 14x20x15 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 0 - 0 |
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#150 |
Günter Tuzina (1951)Günter Tuzina (1951) Untitled signed and dated 2008/09 (on the reverse) acryilc, oil, charchoal and pencil on canvas, 50x40 cm Provenance: Slewe Gallery, Amsterdam, acquired in 2009.Schatting: 800 - 1200 |
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#151 |
Günter Tuzina (1951)Günter Tuzina (1951) Untitled signed and dated 2008/09 (on the reverse) acryilc, oil, charchoal and pencil on board, 30x30 cm Provenance: Slewe Gallery, Amsterdam, acquired in 2009.Schatting: 700 - 900 |
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#152 |
Jan Maarten Voskuil (1964)Jan Maarten Voskuil (1964) 'Wat een toeval' (2009) acrylic on canvas, 40x60,5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#153 |
Jan Maarten Voskuil (1964)Jan Maarten Voskuil (1964) 'Stuck II' signed, titled and dated 2009 (on the stretcher) acrylic, canvas and wood, 120x78x5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 700 |
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#154 |
Jan Maarten Voskuil (1964)Jan Maarten Voskuil (1964) 'Drop Red' (2010) acrylic, canvas and wood, 77x70x15 cm Provenance: Galerie Rob de Vries, Haarlem, acquired in 2010.Schatting: 500 - 700 |
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#155 |
Bernard Villers (1939)Bernard Villers (1939) 'Mickey peut-être', all parts signed, titled and dated 05/06 (on the reverse), blue and red pigment on wood, in three parts, dimensions variable: circa 90x75 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2006. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#156 |
Auke de Vries (1937)Auke de Vries (1937) Untitled (1992) iron and zinc, 60x76x20 cm Provenance: Kunsthandel Lambert Tegenbosch, Heusden, acquired in 1999.Schatting: 2000 - 3000 |
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#157 |
Auke de Vries (1937)Auke de Vries (1937) 'Gejaagd door de wind' signed and dated 1998 (on the base) painted iron and zinc, 42x57x22 cm Provenance: Kunsthandel Lambert Tegenbosch, Heusden, acquired in 1999.Schatting: 2000 - 3000 |
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#158 |
Piet Warffemius (1956)Piet Warffemius (1956) 'Tall' (2006) Cor-Ten steel, number 2 from an edition of 6, 85x14,5x12 cm Provenance: Galerie Ramakers, The Hague, acquired in 2006.Schatting: 600 - 800 |
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#159 |
Piet Warffemius (1956)Piet Warffemius (1956) 'Stretching Out' (2012) bronze with a green black patina, numbered 1 from an edition of 6, 46x84x12 cm Provenance: Galerie Ramakers, The Hague, acquired in 2013.Schatting: 600 - 800 |
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#160 |
Carel Visser (1928 - 2015)Carel Visser (1928 - 2015) 'Twee zusters' (2000) marked with the artist's initials steel, number 40 from an edition of 300, 8x12x4 cm Provenance: Nouvelles Images, The Hague, acquired in 2000.Schatting: 300 - 500 |
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#161 |
Niko de Wit (1948)Niko de Wit (1948) 'Kompas' (1995) cast iron, 19x24x10 cm Provenance: Galerie Ramakers, The Hague, acquired in 1995.Schatting: 200 - 300 |
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#162 |
Veron Urdarianu (1951)Veron Urdarianu (1951) Untitled signed and dated '88 (on the reverse) white paint and cardboard, 30x19x6 cm Provenance: Galerie Ramakers, The Hague, acquired in 2007.Schatting: 200 - 300 |
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#163 |
Henk Visch (1950)Henk Visch (1950) Untitled signed in pencil and dated '94 (lower right) silkscreen printed in colours, numbered 31/100, 90x63 cm. From the portfolio ‘Tien jaar later’ (Ten Years Later), printed and published by Zeger Reijers, Rotterdam in 1995. Provenance: Galerie Zeger Reijers, Rotterdam, acquired in 1995.Schatting: 100 - 150 |
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#164 |
Albert Verkade (1945)Albert Verkade (1945) 'Zonder titel'/Untitled signed, titled and dated Schiedam, Holland 1979 (on the reverse) acrylic on paper, 167x137 cm Proveance: Acquired directly from the artist, Schiedam 1995. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 300 - 500 |
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#165 |
Ulay (Uwe Laysiepen) (1943)Ulay (Uwe Laysiepen) (1943) 'Cursives & Radicals' (2000) 2 c-prints (diptych), resp. edition no. 11 and 4, 143x126 and 126x143 cm. This series of photographic images consists of five diptychs, showing a female contortionist in various (bizarre) positions, paralleled with life-size images of branches and bushes. Provenance: Art Affairs, Rotterdam, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Maria Rus Bojan, Alessandro Cassin, 'Whispers - Ulay On Ulay', Valiz 2004, compare p. 430/431.Schatting: 2000 - 3000 |
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#166 |
Ulay (Uwe Laysiepen) (1943)Ulay (Uwe Laysiepen) (1943) 'China Red, Northern provinces along the Great Wall of China' signed and dated '88-89 (lower right) c-print, numbered 9/20, 36x50 cm. Beside the portfolio editon of 3 and 2 APs Provenance: Art Affairs, Amsterdam, acquired in 1998. Literature: Maria Rus Bojan, Alessandro Cassin, 'Whispers - Ulay On Ulay', Valiz 2004, compare p. 296 (cat. no 456).Schatting: 800 - 1200 |
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#167 |
Ulay (Uwe Laysiepen) (1943)Ulay (Uwe Laysiepen) (1943) 'Water voor de doden' signed, titled and dated 1990 (on the backing) polaroid/polacolor, unique work, 70x55 cm Provenance: Art Affairs, Amsterdam, acquired in 1998. Literature: Maria Rus Bojan, Alessandro Cassin, 'Whispers - Ulay On Ulay', Valiz 2004, pp. 385 and 500 (illus.), cat. no. 497 .Schatting: 5000 - 7000 |
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#168 |
Luuk Wilmering (1957)Luuk Wilmering (1957) 'Cut Out' (International Herald Tribune) signed, titled and dated 2008/2009 (on the reverse) newspaper cut outs, laid down on cardboard, 56x36 cm Provenance: Johan Deumens Gallery, Amsterdam, acquired in 2012.Schatting: 300 - 500 |
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#169 |
Jens Wolf (1967)Jens Wolf (1967) '08.17' signed, titled and dated 2008 (on the reverse) acrylic on carved plywood, 115x85 cm Provenance: Aschenbach & Hofland Galleries, Amsterdam, acquired in 2010. Berlin based artist Jens Wolf explores colour, shape and flatness through his geometric abstract paintings on plywood. Wolf is inspired by the major abstract modern movements of the 20th century, but his work transcends traditions of cold abstraction by leaving traces of imperfection and uniqueness behind. Colour, geometry and symmetry are explored throughout his work. (Source: website Ronchini Gallery London)Schatting: 600 - 800 |
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#170 |
Jens Wolf (1967)Jens Wolf (1967) '09.71' signed, titled and dated 2009 (on the reverse) acrylic on carved plywood, 120x85 cm Provenance: Aschenbach & Hofland Galleries, Amsterdam, acquired in 2010.Schatting: 600 - 800 |
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#171 |
Woody van Amen (1936)Woody van Amen (1936) 'Space mark' (1994) all signed, titled and dated 1994 (on the backing) oil on canvas in three parts, overall dimensions: 113x38,5 cm Provenance: Acquired directly from the artist, Rotterdam 1995.Schatting: 800 - 1200 |
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#172 |
Bas Zoontjens (1970)Bas Zoontjens (1970) 'Ocean Breeze' signed, titled and dated 2012 (on the reverse) acrylic and oil on board, 50x40 cm Provenance: Galerie Cokkie Snoei, Rotterdam, acquired in 2012.Schatting: 600 - 800 |
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#173 |
Woody van Amen (1936)Woody van Amen (1936) 'Nusa Penida' signed and dated 1995 (lower centre) and signed, titled and dated (on the backing) watercolour, 60x80 cm Provenance: Galerie Art Index, Amsterdam, acquired in 1995.Schatting: 400 - 600 |
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#174 |
Woody van Amen (1936)Woody van Amen (1936) 'Holy Rock Birma' signed and dated 2000 (lower centre), also signed, titled and inscribed 'vriendschappelijk voor Ron en Jet, 2014' (on the backing) watercolour, 23,5x16 cm Provenance: Acquired directly from the artist in Rotterdam.Schatting: 200 - 300 |
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#175 |
Woody van Amen (1936)Woody van Amen (1936) Untitled signed and dated 2000 (on the lower right side) engraved acrylic glass, 65x45,5x4 cm Provenance: Acquired directly from the artist, Rotterdam 2000.Schatting: 500 - 700 |
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#176 |
Woody van Amen (1936)Woody van Amen (1936) 'Double Cross' (2001) neon light and acrylic glass on plastic base, 43x21x8,5 cm Provenance: Acquired directly from the artist, Rotterdam 2001. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 800 - 1200 |
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#177 |
Joachim Bandau (1936)Joachim Bandau (1936) Untitled signed and dated 4-12-98 (lower centre) watercolour on Arches paper, 152,4x101,6 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Joachim Bandau, Schwarz-Aquarelle - Black Watercolour Paintings’, Wolfgang Becker/ Ferdinand Ullrich (ed.) Aachen 2001, p. 45 illus.Schatting: 6000 - 9000 |
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#178 |
Joachim Bandau (1936)Joachim Bandau (1936) Twins V' signed and dated 10.12.98 and 5-12-98 (lower centre) and titled (lower right) watercolour on Arches paper, 152,4x101,6 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Joachim Bandau, Schwarz-Aquarelle, Black Watercolour Paintings’, Wolfgang Becker/ Ferdinand Ullrich (ed.) Aachen 2001, p. 43 illus.Schatting: 6000 - 9000 |
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#179 |
Fons Brasser (1944)Fons Brasser (1944) 'Serie 2-4' (1997) granite and aluminium, 22x18x15 cm Provenance: Galerie Ramakers, The Hague, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#180 |
Fons Brasser (1944)Fons Brasser (1944) 'Serie 6, Model 4' signed, titled and dated 2004 (underneath) wood and aluminium, 25x32x 4 cm Provenance: Acquired directly from the artist, Haarlem 2006.Schatting: 200 - 300 |
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#181 |
Fons Brasser (1944)Fons Brasser (1944) 'Serie 4-3' (1997) concrete and aluminium, 21,5x30,5x17 cm Provenance: Galerie Ramakers, The Hague, acquired in 1999.Schatting: 200 - 300 |
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#182 |
Fons Brasser (1944)Fons Brasser (1944) 'Model I, Serie 3' signed, titled and dated '91-97 (underneath) wood and black paint, number 3 from an edition of 5, 24x30x24 cm Provenance: Acquired directly from the artist, Haarlem 1999.Schatting: 200 - 300 |
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#183 |
Fons Brasser (1944)Fons Brasser (1944) 'Serie 7-3' (2004) Cor-Ten steel, two parts assembled, 43x43x4 cm Provenance: Kunstvereniging Diepenheim, Diepenheim, acquired in 2005. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 200 - 300 |
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#184 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) 'Ingesnoerde pompoen' (1997/98) bronze with a green black patina, from an edition of 5, 39x41x24 cm Provenance: Art Affairs, Amsterdam, acquired in 1998. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1800 - 2200 |
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#185 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) Phyllotaxis signed and dated '92 (on the inside) bronze with a green black patina, from an edition of 10, 12x14x14 cm Provenance: Galerie Artline, The Hague, acquired in 1994.Schatting: 400 - 600 |
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#186 |
Sjoerd Buisman (1948)Sjoerd Buisman (1948) 'Babel Heracleum' signed, dated 2007 and titled (on the inside) bronze with a black patina, numbered 1/10, height: 58 cm Provenance: Art Affairs, Amsterdam. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1800 - 2200 |
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#187 |
Cor van Dijk (1952)Cor van Dijk (1952) Untitled (2000) steel, 6 parts assembled, 80x53x20 cm Provenance: Nouvelles Images, The Hague, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 2000 - 3000 |
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#188 |
Stefan Gritsch (1951)Stefan Gritsch (1951) 'Portrait' signed, titled and dated 2003/04 (on sticker on the reverse) acrylic on aluminium panel, 24x16x3 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1000 - 1500 |
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#189 |
Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962)Heringa/ Van Kalsbeek, Liet Heringa (1966) and Maarten van Kalsbeek (1962) Untitled (2009) resin, china, steel, cloth, 176x150x143 cm Provenance: Aschenbach & Hofland, Amsterdam, acquired in 2010.Schatting: 8000 - 12000 |
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#190 |
Joachim Grommek (1957)Joachim Grommek (1957) 'o.T. #93' signed, titled and dated '05-07 (on the reverse) mixed media on plywood, 50x50 cm Provenance: Vous Etes Ici, Amsterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 500 - 800 |
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#191 |
Liet Heringa (1966)Liet Heringa (1966) Untitled (1998) glazed ceramic, number 4 from an edition of 12 unique works, 50x23x25 cm Provenance: Nouvelles Images, The Hague, acquired in 1999. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1000 - 1500 |
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#192 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) '7-45-2002' signed, titled and dated Amsterdam 2002 (on the reverse) oil on canvas, 45x45 cm Provenance: Nouvelles Images, The Hague, acquired in 2002.Schatting: 300 - 500 |
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#193 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) '13-67.5-2009' signed, titled and dated Amsterdam 2009 (on the reverse) oil on canvas, 67,5x67,5 cm Provenance: Nouvelles Images, The Hague, acquired in 2009.Schatting: 600 - 800 |
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#194 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) '3-90-2005' signed, titled and dated Amsterdam 2005 (on the reverse) oil on canvas, 90x90 cm Provenance: Nouvelles Images, The Hague, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 600 - 800 |
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#195 |
Jerry Keizer (1938-2016)Jerry Keizer (1938-2016) Untitled oil on paper, laid down on paper, 25x25 cm Provenance: Nouvelles Images, The Hague, acquired in 2002.Schatting: 300 - 500 |
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#196 |
Jan van Munster (1939)Jan van Munster (1939) 'Accu' (1995) granite and copper, height: 21 cm Provenance: Acquired directly from the artist. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1000 - 1500 |
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#197 |
David Lindberg (1964)David Lindberg (1964) 'Consolation set' signed and dated 2007 (underneath) epoxy resin and pigment, 38x53x34 cm Provenance: Galerie Tanya Rumpff, Haarlem, acquired in 2007.Schatting: 300 - 500 |
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#198 |
David Lindberg (1964)David Lindberg (1964) 'In lieu of something else' signed and dated 2007 (on the reverse) epoxy resin and pigment, 26x20 cm Provenance: Galerie Tanya Rumpff, Haarlem, acquired in 2007.Schatting: 200 - 400 |
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#199 |
Ossip (1952)Ossip (1952) Frau' signed, dated 18-05-05 and inscribed (on the base) mixed media, 55x40x15 cm Provenance: Galerie Ramakers, The Hague, acquired in 2005. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Dick Raaijmakers, J.L. Locher, ‘Ossip’, Gemeentemuseum Den Haag, The Hague 1996, illus. in colour.Schatting: 1200 - 1800 |
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#200 |
Ossip (1952)Ossip (1952) Untitled (study no. 65) signed and dated 12-7-2002 (on the base) mixed media, 31x30x6 cm Provenance: Galerie Ramakers, The Hague, acquired in 2002. Literature: Dick Raaijmakers, J.L. Locher, ‘Ossip’, Gemeentemuseum Den Haag, The Hague 1996, illus. in colour.Schatting: 1200 - 1800 |
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#201 |
Sarah van der Pols (1973)Sarah van der Pols (1973) 'Chatrooms' signed and dated '01 (lower right) Indian ink and acrylic on paper, 14,5x30,5 cm Provenance: Acquired directly from the artist in Schiedam.Schatting: 200 - 400 |
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#202 |
Sarah van der Pols (1973)Sarah van der Pols (1973) Untitled signed and dated '04 (lower right) tracing paper collage and mixed media on paper, 30x38 cm Provenance: Acquired directly from the artist in Schiedam.Schatting: 200 - 400 |
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#203 |
Sarah van der Pols (1973)Sarah van der Pols (1973) 'Chatrooms' signed and dated '03 (lower right) Indian ink and acrylic on paper, 16x30,5 cm Provenance: Acquired directly from the artist in Schiedam.Schatting: 200 - 400 |
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#204 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Neeltje - 4' signed and dated '01 (lower left), titled (lower right) cowhide on paper, 44,5x32,5 cm Provenance: Galerie De Zaal, Delft, acquired in 2005.Schatting: 700 - 1000 |
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#205 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Els -1' signed, titled and dated '04 (lower centre) cowhide on paper, 29x21 cm Provenance: Galerie De Zaal, Delft, acquired in 2005.Schatting: 700 - 1000 |
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#206 |
Henk Peeters (1925-2013)Henk Peeters (1925-2013) 'Gwen-7' signed and dated 2004 (lower right) and signed, dated and titled (lower centre) cowhide on paper, 41,5x31 cm Provenance: Galerie De Zaal, Delft, acquired in 2005.Schatting: 1000 - 1200 |
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#207 |
Tomas Rajlich (1940)Tomas Rajlich (1940) Untitled signed and dated '72 twice (on the reverse) acrylic and ink on board, 25x25x3 cm Provenance: Galerie Ramakers, The Hague, acquired in 2001.Schatting: 700 - 1000 |
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#208 |
Tomas Rajlich (1940)Tomas Rajlich (1940) Untitled each work monogramed and dated '98 (on the reverse) acrylic on canvas in three parts, each resp. 20x20 and 24x20 cm Provenance: Galerie Ramakers, The Hague, acquired in 1998.Schatting: 700 - 1000 |
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#209 |
Willy de Sauter (1938)Willy de Sauter (1938) 'Z.T.' (Zonder titel) signed, titled and dated 2008 (on the reverse) pigments and chalk on wood, 70x60x2,5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2009. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1500 |
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#210 |
Willy de Sauter (1938)Willy de Sauter (1938) 'Z.T.' (Zonder titel) signed and dated 2007 (on the reverse) chalk and pigment on wood, 70x60x2,5 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 1200 - 1500 |
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#211 |
Willy de Sauter (1938)Willy de Sauter (1938) 'Z.T.' (Zonder titel) signed and dated 4.4.2014 (on the reverse) chalk on wood, 55x45 cm Provenance: Galerie Phoebus, Rotterdam, acquired in 2014.Schatting: 1200 - 1500 |
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#212 |
Jan Schoonhoven (1914-1994)Jan Schoonhoven (1914-1994) M III' (Geprägte Strukturen) signed, titled and dated '72 in pencil (lower right) embossed print, numbered 61/120, 59x50 cm. From the portfolio 'Geprägte Strukturen', printed by Tünn Konerding, published by Galerie m, Bochum in 1972. Provenance: RAM galerie, Rotterdam, acquired in 1984. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Rigo/Meijer, 'Jan Schoonhoven. Het grafische oeuvre', Scriptum Art (ed.) Schiedam 2017, no 60.Schatting: 1500 - 2000 |
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#213 |
Jan Schoonhoven (1914-1994)Jan Schoonhoven (1914-1994) M IV' (Geprägte Strukturen) signed, titled and dated '72 in pencil (lower right) embossed print, numbered 61/120, 59x50 cm. From the portfolio 'Geprägte Strukturen', printed by Tünn Konerding, published by Galerie m, Bochum in 1972. Provenance: RAM galerie, Rotterdam, acquired in 1984. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Rigo/Meijer, 'Jan Schoonhoven. Het grafische oeuvre', Scriptum Art (ed.) Schiedam 2017, no 60.Schatting: 1500 - 2000 |
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#214 |
Jean-Marc Spaans (1967)Jean-Marc Spaans (1967) Yokohama' signed, titled and dated 2005 (on the reverse) Fujiflex mounted on dibond, numbered 1/30, 30x40 cm Provenance: Nouvelles Images, The Hague, acquired in 2007. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: Piet Molendijk, Machteld Leij, Erik Bos,Geer Pouls and Wim van Sinderen, ‘Jean-Marc Spaans. Traces of light’, Episode Publishers, Rotterdam 2007, compare p. 111.Schatting: 500 - 700 |
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#215 |
Albert Verkade (1945)Albert Verkade (1945) 'Alfa Omgea' signed and dated 2005 marble and zinc coated steel, 30x30x62 cm Provenance: Galerie Ramakers, The Hague, acquired in 2007.Schatting: 500 - 700 |
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#216 |
Jean-Marc Spaans (1967)Jean-Marc Spaans (1967) Untitled, signed and dated 1990 (on the reverse),cibachrome mounted on aluminium, number 3 from an edition of 5, 97x97 cm Provenance: Museum Boijmans van Beuningen, Rotterdam, charity auction lot 62, acquired in 1999. Literature: Piet Molendijk, Machteld Leij, Erik Bos, Geer Pouls and Wim van Sinderen, ‘Jean-Marc Spaans. Traces of light’, Episode Publishers, Rotterdam 2007, p. 111 illus. Schatting: 800 - 1200 |
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#217 |
Auke de Vries (1937)Auke de Vries (1937) 'Gentle Observer' signed and dated 2011 (on the base) painted steel, numbered E.A. 1, 50x30x50 cm Provenance: Acquired directly from the artist, The Hague 2012.Schatting: 2000 - 3000 |
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#218 |
Piet Warffemius (1956)Piet Warffemius (1956) Untitled (2005) bronze with a brown patina, number 1 from an edition of 5, 49x61x9 cm Provenance: Galerie Ramakers, The Hague, acquired in 2005.Schatting: 600 - 800 |
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#219 |
Piet Warffemius (1956)Piet Warffemius (1956) 'Stretching Out' marked with the artist's initials and dated '04 corten steel, numbered 2 from an edition of 6, 20x41x4 cm Provenance: Galerie Ramakers, The Hague, acquired in 2004.Schatting: 300 - 500 |
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#220 |
Auke de Vries (1937)Auke de Vries (1937) Sketches for Maasbeeld (1983) 2 pencil and fineliner drawings on (tracing) paper, framed together, each 21x29,5 cm Provenance: Nouvelles Images, The Hague. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Measuring 182 metres in length the Maas Sculpture is an immense art work, but viewed against the vast scale of the Willemsbrug it appears to be a modest and playful arabesque. It is autonomous yet tailored to its site, like Auke de Vries’ other sculpture in the city at the Netherlands Architecture Institute. The history of the Maas Sculpture began when De Vries was asked for his advice about placing an art work alongside the Willemsbrug. There followed a long discussion about the embankments, water, space and urban quality. De Vries did not initially participate in the open competition to design a work of art for the bridge. But when he was invited to submit a proposal and was allowed a year to conceive his plan, he agreed. (Source: oud.sculptureinternationalrotterdam.nl/) The forces of nature do their work: the ‘washing line’, as the sculpture quickly became known in Rotterdam, sags, the transverse beams and rods pull it sideways, the steel balls dangle from the strong steel cable. The sculpture links the Willemsbrug with a leftover pier from the now dismantled railway bridge. The sculpture draws its power from the interplay between the river, the bridge and the embankment.Schatting: 500 - 700 |
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#221 |
Auke de Vries (1937)Auke de Vries (1937) Untitled signed and dated 1983 (on the base) steel and wood, 48x148x13 cm Provenance: Nouvelles Images, The Hague, acquired in 2000. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.Schatting: 5000 - 7000 |
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#222 |
Armando (1929)Armando (1929) 'De naam in een kamer' (1998) Portfolio with poems and 8 lithographs by Armando, each print signed, dated and numbered 20/25, also the colophon signed, dated and numbered, 40x36 cm In original map by Nicole Duyvis. Published by Hein Elferink. Printed by Steendrukkerij Amsterdam. Provenance: Armando Museum, Amersfoort.Schatting: 700 - 1000 |
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#223 |
Armando (1929)Armando (1929) 'Overmacht' Portfolio with 2 lithographs by Armando, a poem from Lucebert for Armando and the colophon.The prints signed and dated '94 and numbered 29/30. 40,5x30 cm. Published on the occasion of the exhibition 'Pictor Pictura' at gallery Nouvelles Images, The Hague and at Museum Jan Cunen at Oss. Printed by Steendrukkerij Amsterdam. Provenance: Armando Museum, Amersfoort.Schatting: 300 - 500 |
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#224 |
Paul Huf (1924-2002)Paul Huf (1924-2002) Brigitte Bardot with Ed Sullivan and Jacques Tati at the Brussels World Fair' signed and dated '58 (lower left) silver gelatine print, numbered 25/25, 20x26 cm Provenance: Galerie Marzee, Nijmegen. Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009. Literature: ‘Parijs was mieters. Nederlandse fotografen in Parijs 1945-1965’, Stedelijk Museum Schiedam, 2004, illus. and incorrectly dated and titled.Schatting: 500 - 800 |
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#225 |
...........10 jaar later...........10 jaar later 7 silkscreens from the portfolio '...........10 jaar later'; including the prints by Rob Scholte, Harald Vlugt, Cecile van der Heiden, Aldert Mantje, Karel Meijers, Jan Commandeur and Steven Reyers, each print signed and dated ’94 in pencil, a few prints also titled, in original portfolio map, 63x90 cm. Printed and published by Zeger Reijers, Rotterdam 1995. The other prints from this portfolio are offered as separate lots (Ansuya Blom: lot 21, Marlene Dumas: lot 52, Henk Visch: lot 163 and Emo Verkerk: lot 226) Provenance: Zeger Reijers, Rotterdam, acquired in 1995.Schatting: 700 - 1000 |
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#226 |
Emo Verkerk (1955)Emo Verkerk (1955) Dante' signed in initials, titled and dated 1994 in pencil (lower centre) collage and silkscreen on paper, numbered 31/100, 90x63 cm. From the portfolio ‘Tien jaar later’ (Ten Years Later), printed and published by Zeger Reijers, Rotterdam in 1995. Provenance: Galerie Zeger Reijers, Rotterdam, acquired in 1995.Schatting: 100 - 150 |